Painting
Figurative and expressive works approaching the face as an inner space rather than a formal likeness.
About
Amman, JordanVisual artist working between painting and photography from Amman
Mohammad Al Omar is a visual artist working from Amman between painting and photography, returning to the face, memory, light, and the trace of place.
He has taken part in solo and group exhibitions and symposia in Jordan and abroad, while continuing to build a visual archive around people and the city.
He holds a BSc in Software Engineering from Philadelphia University, completed in 2009; that background informs method and archiving rather than the front of the artistic identity.
Mohammad Al Omar is the professional name connected to the full name Mohammad Omar Alkhateeb.
Mohammad Al Omar
A visual artist working from Amman between painting and photography.
The artistic practice comes first through painting, photography, and visual projects.
Studio commissions remain a quiet, separate path.
The biography includes documented exhibitions and participations only.
Professional material is available for collectors, curators, and institutions.
Artist identity
Figurative and expressive works approaching the face as an inner space rather than a formal likeness.
Images following the trace of light across architecture, interiors, and human presence.
Series connecting painting and the camera around memory, the city, and the moment before speech.
A secondary path for selected visual commissions, kept separate from the artistic practice.
Selected timeline
Early professional experience developed alongside a growing commitment to image and drawing.
Graduated from Philadelphia University with a BSc in Software Engineering, a background that now supports method and archive.
Worked across teaching and management while maintaining a parallel creative practice.
Participated in solo exhibitions, group exhibitions, and symposia in Jordan and abroad, as listed in the site record.
Continued developing an archive between painting and photography, focused on faces, the city, and everyday memory.
Exhibitions
A documented record offered as context for the work, never as a substitute for it.